New York City Ballet (David H. Koch Theater) 3 February 2022 - Visionary Voices | GoComGo.com

Visionary Voices

New York City Ballet (David H. Koch Theater), Main Stage, New York, USA
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7:30 PM

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Important Info
Type: Modern Ballet
City: New York, USA
Starts at: 19:30

E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.

You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).

Overview

Explore balletic boundaries with three vanguard dancemakers

A world premiere from Jamar Roberts opens this program of works from dancemakers at the forefront of contemporary choreography. Roberts, whose work as a dancer and as the Resident Choreographer at Alvin Ailey American Dance Theater have garnered recent commissions from New York City Center’s Fall for Dance and Works & Process at the Guggenheim, among others, returns to NYCB for his first main stage work following the Fall 2020 dance-on-film premiere of Water Rite. It is joined by Pam Tanowitz’s first dance for the Company, Bartók Ballet, an ensemble piece fusing neoclassical choreography with modern and folk steps. The program concludes with Kyle Abraham’s genre-bending work for the 2018 Fall Gala, The Runaway, with a score that combines a classical piece by contemporary composer Nico Muhly with music by James Blake, Jay-Z, and Kanye West, among others.

Originally commissioned for NYCB’s Spring 2020 performances, Alvin Ailey American Dance Theater Resident Choreographer and dancer Jamar Roberts makes his highly anticipated choreographic debut on the New York City Ballet stage with a new work set to music by modern classical composer Kyle Preston.

Known for her post-modern take on classical dance, Pam Tanowitz presents ballerinas in pointe shoes in an otherwise contemporary ensemble work exploring space and time, set to the braided melodies of Bartók’s string quartet.

Bartók Ballet is Pam Tanowitz’s first work for New York City Ballet. The ballet for 11 dancers is set to Béla Bartók’s String Quartet No. 5. It features costumes by Reid Bartelme and Harriet Jung and lighting by NYCB’s Resident Lighting Director Mark Stanley. Tanowitz conceived the framework for Bartók Ballet as part of the Women’s Choreography Initiative at American Ballet Theatre in the Fall of 2017.

Kyle Abraham’s choreographic perspective takes center stage in a work fusing modern and classical technique, accented by dramatic lighting, imaginative costumes, and an eclectic soundtrack.

The Runaway is Kyle Abraham’s first work for New York City Ballet, as well as his first work for a ballet company. The ballet for eight dancers premiered at the Company's 2018 Fall Gala, and features lighting by Dan Scully, costumes by Giles Deacon, and music by Nico Muhly, James Blake, Jay-Z, and Kanye West.

Venue Info

New York City Ballet (David H. Koch Theater) - New York
Location   20 Lincoln Center Plaza

The David H. Koch Theater is the major theater for ballet, modern, and other forms of dance, part of the Lincoln Center, at the intersection of Columbus Avenue and 63rd Street in the Lincoln Square neighborhood of Manhattan in New York City. Originally named the New York State Theater, the venue has been home to the New York City Ballet since its opening in 1964, the secondary venue for the American Ballet Theatre in the fall, and served as home to the New York City Opera from 1964 to 2011.

The New York State Theater was built with funds from the State of New York as part of New York State's cultural participation in the 1964–1965 World's Fair. The theater was designed by architects Philip Johnson and John Burgee, and opened on April 23, 1964. After the Fair, the State transferred ownership of the theater to the City of New York.

Along with the opera and ballet companies, another early tenant of the theater was the now defunct Music Theater of Lincoln Center whose president was composer Richard Rodgers. In the mid-1960s, the company produced fully staged revivals of classic Broadway musicals. These included The King and I; Carousel (with original star, John Raitt); Annie Get Your Gun (revised in 1966 by Irving Berlin for its original star, Ethel Merman); Show Boat; and South Pacific.

The theater seats 2,586 and features broad seating on the orchestra level, four main “Rings” (balconies), and a small Fifth Ring, faced with jewel-like lights and a large spherical chandelier in the center of the gold latticed ceiling.

The lobby areas of the theater feature many works of modern art, including pieces by Jasper Johns, Lee Bontecou, and Reuben Nakian.

Important Info
Type: Modern Ballet
City: New York, USA
Starts at: 19:30
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