A former movie house hosting everything from Native American dancers to Eliot Feld's ballet company.
PremiereBerry Dreamin’. Likes vs Life. Third Person Point of View. In Session.
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E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.
You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).
E-tickets: Print at home or at the box office of the event if so specified. You will find more information in your booking confirmation email.
You can only select the category, and not the exact seats.
If you order 2 or 3 tickets: your seats will be next to each other.
If you order 4 or more tickets: your seats will be next to each other, or, if this is not possible, we will provide a combination of groups of seats (at least in pairs, for example 2+2 or 2+3).
Berry Dreamin’ by Chalvar Monteiro is a playful and vivid piece that captures the sweetness of imagination through rich, berry-inspired tones. It evokes a light, dreamy mood that feels both joyful and indulgent.
Berry Dreamin’ by Chalvar Monteiro is an expressive artwork filled with lush, berry-like hues that create a sense of warmth and fantasy. The piece invites the viewer into a dreamy, almost whimsical atmosphere where color and emotion take center stage. It balances boldness and softness, leaving a lasting impression of sweetness and creative freedom.
Likes vs Life by McDonald’s explores the contrast between digital validation and real human experience. The work highlights how online approval can overshadow genuine emotions and everyday moments.
Likes vs Life by McDonald’s is a thought-provoking piece that examines the tension between social media culture and authentic living. It questions the value placed on virtual recognition compared to real connections, time, and presence. Through this contrast, the work encourages viewers to reflect on how technology shapes identity and self-worth.
Third Person Point of View by choreographer My’Kal Stromile explores how identity and experience shift when seen through the eyes of others. The work invites reflection on perception, distance, and self-awareness.
Third Person Point of View by choreographer My’Kal Stromile is a movement-based exploration of observing oneself from the outside. Through layered choreography and intentional perspective, the piece examines how external viewpoints shape personal understanding and identity. It creates a thoughtful dialogue between presence, reflection, and perception.
In Session by choreographer Rena Butler is a powerful exploration of presence, power, and vulnerability through movement. The work feels both intimate and confrontational, drawing the audience into a shared space of reflection.
In Session by choreographer Rena Butler uses dynamic, intentional movement to examine states of awareness, control, and emotional exposure. The choreography creates a charged atmosphere where stillness and intensity coexist, mirroring moments of confrontation and release. Through this layered physical language, the work invites viewers to witness and reflect on lived experience and inner dialogue.